名稱：民國【平頭鈕壽山石印章】
規格：章長39mm章寬29mm章高38mm章重122.6克。
材質 壽山石
年代：清末民國初期
價格：RMB:3萬一克
專家評語：
陳先生這件系民國【平頭鈕壽山石印章】，邊款“梅隱”，民國大家劉景晨所用。質地細嫩凝潤，微透明，肌理隱含蘿蔔紋，上百年栗子黃，質地上佳。值得收藏。
相關資料：
劉景晨（1881~1960），字貞晦，號冠三、潛廬、梅隱、梅屋先生等。永嘉（今浙江溫州）人。早年就讀京師學堂，曾執教於溫州府學堂（溫州中學）。民國初年，被選為第一屆國會眾議院候補議員。1923年拒曹錕賄選，毅然偕同沈鈞儒、陳叔通等南下。在上海結交劉放園、李佩秋、陳石遺、徐悲鴻、張紅薇、鄭曼青諸詩畫名家。解放後為溫州市文物管理委員會首任主任，浙江省文史館館員，溫州市政協副主席、浙江省人大代表，溫州市政協副主席等職，被公認為現代“浙江知名的耆宿”。善詩文書畫金石，繪畫尤長梅花。有西泠印社影印發行《貞晦印存》、《貞晦題畫絕句》傳世。另著有《題畫梅百絕》、《古遺愛傳抄》、《貞晦詩集》等。
主要作品
劉景晨的著作生前正式出版的屈指可數，據目前掌握的情況看，主要有專著兩種，詩集、印譜各一種。
《中國文學變遷史略》一部，與沈雁冰《近代文學體系的研究》合訂為《中國文學變遷史》，上海新文化書社民國十年十二月初版，以後重印多次。《史略》按時代分成十一篇，很可能是他當時執教於廈門大學編撰採用的講義。
《大若巖志》一卷，民國丁亥（1947年）陳繼嚴校印本，共卅七葉，半葉十一行，滿行廿三字。卷端具名“永嘉劉景晨貞晦纂”。身後雖兩度重新發表，但整理者沒有徵求家屬同意，又不忠於原著，頗多臆改。本書以陳繼嚴校印本為底本重新整理，恢復原貌。
詩集《貞晦題畫絕句》，錄1931至1934年詩作78章，後加跋詩兩首，合計80章。印集《現代篆刻第九集》，版心題“劉貞晦印存”，收印拓60方。以上兩部均為民國廿三年上海印行，後來未曾單行重印。
生前寫定而未及印行的有以下四種：《貞晦詩草》寫本，卷首具名“景晨錄存”。集內為1918至1921年金華監禁期間的作品，總計179首。其中僅《和平筆放歌》等個別篇章公開發表過。《題畫梅絕句》
一卷，十九葉。卷端署“劉景晨寫稿”。上下卷各五十首，均為七絕。《離城集》寫本，僅十葉。題下署名“貞晦寫稿”。所錄為1944年9月溫州第三次淪陷而離開永嘉縣城，至1945年7月避居上塘期間的詩作，共40首。《貞晦詩錄》寫本，初稿謄於墨綠格箋紙上，計十一葉，尚未裝訂。前有作者小引，說明1959年著手刪存，系1949年以來的作品，計61首，1955年之後的詩篇還顧不上謄錄。二稿亦過錄於墨綠格箋紙上，己丑（1949）、庚寅（1950）詩四章又一題，兩葉。顯然作者由於身體等原因難以為繼。
名稱：西周玉蟬
規格：長6cm寬1.5cm厚0.6cm重10.6g。
材質 高古玉
年代：商周時期
價格：RMB:150萬
該玉形狀似蟬，玉質細膩，玉色像秋葵，羊脂白油性足，無雜質，上等白玉籽料逐雕而成。玉蟬頭部有孔，便於佩戴。也有人說是商周時期【玉觿】的早期樣式，是皇家貴族專門解繩結所用，尚無統一的說法。其收藏價值和歷史人文研究價值很高。
蟬在古人的心目中地位很高，是一種神祕而聖潔的靈物，被視為純潔、清高、通靈的象徵。蟬是古代先民普遍的推崇物，也是生活中不可缺少的物品。《唐詩別裁》說：“詠蟬者每詠其聲，此獨尊其品格。”由於蟬棲於高枝，餐風宿露，不食人間煙火，則其所喻之人品，自屬於清高一型。駱賓王《在獄詠蟬》中說：“無人信高潔。”虞世南《蟬》有“居高聲自遠，非是藉秋風”的記載，他們都是用蟬喻指高潔的人品。
蟬在古人的心目中地位很高，是一種神祕而聖潔的靈物，被視為純潔、清高、通靈的象徵。蟬是古代先民普遍的推崇物，也是生活中不可缺少的物品。《唐詩別裁》說：“詠蟬者每詠其聲，此獨尊其品格。”由於蟬棲於高枝，餐風宿露，不食人間煙火，則其所喻之人品，自屬於清高一型。駱賓王《在獄詠蟬》中說：“無人信高潔。”虞世南《蟬》有“居高聲自遠，非是藉秋風”的記載，他們都是用蟬喻指高潔的人品。
名稱：宋金【磁州窯劃花纏枝牡丹紋撇口大瓶】
規格：高約40cm，口徑約14.8cm，底徑約10.5cm
材質 瓷土
年代：宋金時期
價格：RMB:280萬
這個系宋金【磁州窯劃花纏枝牡丹紋撇口大瓶】，細長頸，腹部至底部漸收，圈足。通體施白釉，以刻花工藝裝飾瓶身。肩部為蓮瓣紋，腹部為纏枝牡丹紋，花朵為深褐底地留白。該瓶瓶體碩大，造型十分獨特新穎，端莊穩重而不失大氣。通體劃花工藝，直接用刀尖直接劃出紋飾，令人不禁拍案叫絕。整體紋飾特徵為花朵碩大飽滿，貌似隨意拈來卻絲毫不潦草，線條極為流暢自然，反映了宋金時期磁州窯制瓷工藝的最高水平。收藏價值很高。
磁州窯創燒於北宋中期，並達到鼎盛，南宋、元明清仍有延續。磁州窯以生產白釉黑彩瓷器著稱，開創了中國瓷器繪畫裝飾的新途徑，同時也為宋以後景德鎮青花及彩繪瓷器的大發展奠定了基礎。
該件藏品製作技藝高超，裝飾法獨特，紋飾生動、精美，口部、腹部、裙部及足部，分割點比例對稱，藝術感極強，顯示出磁州窯技術的嫻熟，最能代表表現宋磁州窯典型文化和藝術精神的珍罕瓷器，極具很強的觀賞價值和很高的文物價值。
磁州窯是中國著名的民間陶瓷窯系，位於今河北省邯鄲市彭城和磁縣等地，是北方陶瓷的代表。素有“南有景德，北有彭城”之說。磁州窯是宋代成就突出，富有民間特色的瓷窯。
部分瓷器近兩年的成交記錄：
元 青花雲龍紋象耳瓶 （一對） 2013年澳門中信拍賣天價398,160,000RMB
元 鬼谷子下山青花大罐 2005年倫敦佳士得拍賣價格2.3億RMB，創下當時中國藝術品在世界上的最高拍賣紀錄。
元代 青花蕭何月下追韓信梅瓶 2011年於澳門中信秋季拍賣會685,440,000 rmb 成交
元 青花四季花卉紋八方執壺帶蓋2014年澳門中信春季拍賣92,460,000RMB 成交
元 青花龍紋四系扁瓶 2007年北京中嘉國際拍賣拍賣以97,900,000 RMB 落錘
English
Name: Republic of China [crew button, longevity stone seal]
Specifications: chapter length 39mm chapter width 29mm chapter, high 38mm chapter weighs 122.6 grams.
Material Shoushan Stone
In the late Qing Dynasty and the early Republic of China
Price: RMB:3, in case grams
Expert comments:
Mr. Chen, this is the Republic of China [flat head button longevity stone seal], side paragraph "Mei hidden", the Republic of China Liu Jingchen used. Delicate texture, condensation, micro transparent, texture implicit radish lines, chestnut for hundreds of years, a good quality. Worth collecting.
Relevant data:
Liu Jingchen (1881~1960), the word Zhen Hui, No. three, Lu Mei, crown hidden hidden, Mr. Me Ya. People from Yongjia (now Zhejiang, Wenzhou). Had studied at the Imperial Academy, taught at Wenzhou's school (Wenzhou high school). In the early years of the Republic of China, she was elected the alternate member of the first Congress of the house of representatives. 1923 to Cao Kun, Shen Junru, Chen Shutong and other South and resolutely. With Li Peiqiu, Chen Shi, Liu Fangyuan left, Xu Beihong, Zhang Hongwei, Zheng Manqing and other famous in Shanghai. After the liberation, as the first director of the Wenzhou Municipal Cultural Relics Management Committee, Zhejiang province museumlibrarian, vice chairman of Wenzhou City, Zhejiang province people's Congress, the Wenzhou municipal CPPCC Vice Chairman, is recognized as the modern "Zhejiang famous elders". Good poetry, painting, stone, painting, especially long plum. A Xiling Seal-Engravers'Society copy issued "Zhen Hui", "Hui Zhen India kept painting poems" handed down. The other author of "painting", "ancient plum hundred", "Hui Zhen Cui Yiai poetry" etc..
Major works
One of Liu Jingchen's works was published, according to the current understanding of the situation, there are two kinds of books, poems, yinpu each one.
"A brief history" "Chinese literature change, and Shen Yanbing" the study on the system of the modern literature history of literature "China bound for Shanghai", the new cultural publishing house in ten years at the beginning of the December edition, later reprinted many times. "Outline History" is divided into eleven sections according to age, he is likely to be used when in charge of compilation of Xiamen University notes.
If the "Chi" volume, according to the Republic of China (1947) Chen Jiyan school edition, total 37 leaves, half of the eleven line, full line 23 words. Roll end named "Yongjia Liu Jingchen Hui Zhen zuan". Although behind twice re released, but the order did not seek consent of their families, and faithful to the original, a lot of personal change. This book is already rearranged by Chen Jiyan school copy restore.
"Hui Zhen poetry painting poems", recorded in 1931 to 1934 poetry 78 chapter, after the sequence of two poems, a total of 80 chapters. India set "modern seal ninth" in the title, "Liu Zhenhui India", received 60 party extension india. The above two parts are in 1934, Shanghai, later did not separate reprint.
He wrote and published before the following four: "Zhen Hui Shicao" manuscripts, named "King Chenlu frontispiece deposit". A total of 179 entries were held during the imprisonment of Jinhua between 1918 and 1921. The only "pen" individual chapter Sing peace published. "Plum painting poems"
One roll, nineteen leaves. Roll end department "Liu Jingchen". On the first fifty volumes, are seven. "From the city" the time, only ten leaves. Under the title "Ching Hui signed". Recorded in September 1944, the third fall of Wenzhou, and left the county seat of Yongjia, in July 1945 to avoid the pond during the poem, a total of 40. "Zhen Hu Shi Lu" a green paper on the draft transcripts in the lattice, eleven leaves, not binding. Before the author kohiki, 1959 to delete, Department's works since 1949, 61, 1955 after the poem did not copy out. The two draft also recorded in the green paper on lattice, Jizhou (1949), (1950) Geng Yin poem four chapter one, two leaves. Obviously, the author is unable to continue because of physical reasons.
Name: Zhou Yu Chan
Specifications: length 6cm, width 1.5cm, thickness 0.6cm, weight 10.6g.
High jade material
Shang and Zhou Dynasties
Price: RMB:150 million
The jade cicada shaped, exquisite jade, jade like okra, suet white feet, no impurities, fine jade seed material by carving and. 3 head hole, easy to wear. Others say that the Shang and Zhou dynasties specifically used the rope, called [] Xi jade is no uniform, saying. Its collection value and historical and humanistic research value is very high.
The position in the minds of the ancients is very high, is a mysterious and Holy Spirit, is regarded as a symbol of pure, lofty and psychic. Cicada is a common ancestor in ancient China, and it is also an indispensable commodity in life. "" Tang Shi BIE Cai said: "each to the cicada chant the sound of this, only the character." The cicada perching on the high branches, hardship of travel without shelter, otherworldly, the metaphor belongs to a type of lofty character, self. Luo "to the cicada in prison said:" no one "letter to Gao Jie." Yu Shinan "cicada" has "home loudly from the far, not by autumn wind" records, they are used to refer to Gao Jie refers to the character of cicadas.
The position in the minds of the ancients is very high, is a mysterious and Holy Spirit, is regarded as a symbol of pure, lofty and psychic. Cicada is a common ancestor in ancient China, and it is also an indispensable commodity in life. "" Tang Shi BIE Cai said: "each to the cicada chant the sound of this, only the character." The cicada perching on the high branches, hardship of travel without shelter, otherworldly, the metaphor belongs to a type of lofty character, self. Luo "to the cicada in prison said:" no one "letter to Gao Jie." Yu Shinan "cicada" has "home loudly from the far, not by autumn wind" records, they are used to refer to Gao Jie refers to the character of cicadas.
Name: Song [Cizhouyao scratching with peony pattern pie mouth bottle]
Specifications: high about 40cm, caliber about 14.8cm, bottom diameter of about 10.5cm
Clay material
Age: song and Jin Dynasties
Price: RMB:280 million
This is the song [Cizhouyao scratching with peony pattern pie mouth bottle], slender neck, abdomen collects gradually to the bottom, quanzu. Glaze, carved decorative bottle. The shoulder is lotus petals, abdomen with peony pattern, flower is dark brown to white bottom. The bottle has a huge bottle, and the shape is very unique and novel, dignified and steady without losing the
atmosphere. The scratching process, directly with the tip directly draw decoration, it can not help but overwhelmed with admiration for. The whole decoration is characterized by large and full flowers and seemingly random picking, but it is not sloppy at all. The lines are very smooth and natural. It reflects the highest level of porcelain making process in the song and Jin dynasties. The collection is of high value.
The state kiln in the Northern Song Dynasty reached its peak in the middle of the Northern Song Dynasty, and the Southern Song Dynasty, the Yuan Dynasty and the Ming and Qing Dynasties still lasted. Cizhouyao is known to produce black color glaze porcelain, created a new way to China porcelain painting decoration, but also for the development of the Song Dynasty Jingdezhen blue and white porcelain painting and laid the foundation.
The collections produced superb artistry, unique decoration, decoration, exquisite and vivid, mouth, abdomen, skirt and foot, split the proportion of symmetry, strong artistic sense, shows the Cizhou kiln technology skilled, most can represent the performance of Song Cizhou kiln typical cultural and artistic spirit of the precious porcelain, very strong very high ornamental value and the value of cultural relics.
Magnetic kiln is a famous folk ceramic kiln in China. It is located in Hebei, Handan, Pengcheng and Cixian. It is the representative of northern ceramics. Known as "Jingde south, north of Pengcheng, said. Cizhouyao is the Song Dynasty outstanding achievements, rich folk characteristics of kiln.
Some porcelain records of the past two years:
Yuan blue and white dragon cloud ear bottle (a pair) as the 2013 Macao auction price of CITIC 398160000RMB
Yuan blue and white Guiguzi tank London 2005 Christie's auction price of 230 million RMB, a record at the time of the highest in the world China art auction record.
Xiao Yuan Dynasty blue and white vase in chasing Han Xin in Macao in 2011 685440000 RMB CITIC Autumn Auction turnover
Yuan blue and white Four Seasons flower pattern eight square pot with cover, 2014 CITIC Macao spring auction 92460000RMB clinch a deal
Four yuan blue and white dragon flat bottle 2007 Beijing pharmesis international auction to 97900000 RMB drop
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