泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
泰國Y/A/O住宅
Y/A/O Residence / Octane architect & design
來自建築事務所的描述。業主給建築師提的要求非常簡單，他們希望建築師“自由地設計一座獨一無二的房子，就像是給自己設計住宅一樣地隨心所欲”。因此建築師把住宅從外部的約束中解放出來，並且構思屬於自己的建築風格。在過去的5-10年裡，建築師注意到某種特定的建築語言，即外牆和天花板會形成一個斜角，這種手法在商業建築中變得越來越流行。
Text description provided by the architects. We received only a simple brief from the owners who gave us “a boundless freedom to design a unique house as if it were our own.” Liberated from external constraints, we were free to study and develop a style of architecture that we were personally interested in. Over the last 5-10 years, we have seen that a certain architectural language, in which the external wall and the ceiling converge into an oblique angle, is becoming popular, especially in commercial buildings of real estate projects.
然而，這種形式一般在建築外部出現，內部空間仍然以普通的垂直和平行佈局為主。因此，建築師希望將這種語言應用到其他設計方面，而不僅僅只是用於裝飾目的。
However, apart from being on the exterior, this architectural language never appears in the interior of those buildings which are still mostly dominated by an ordinary perpendicular and parallel layout. That being the case, we are curious to see if it is possible to apply this language to other design aspects rather than just for a decorative purpose.
從這個角度來看，要使一座建築儘可能清晰地表達語言，建築師必須從平面設計和結構規劃入手。一旦語言可以成功地融入到這兩個區域，其他諸如地板、牆壁、屋頂等內外部形態便能夠看起來更加自然協調一些。
From our perspective, to make an architecture express the language as clearly as possible, we have to start from the plan design and the structure. Once the language has been successfully integrated into these two areas, the other elements such as the floor, the wall, the roof, the exterior, and the interior will naturally conform in unison to the style.
為了達到整體空間效果，該項目還需要一座庭院，可以透入陽光、雨水，讓它成為建築的中心，對角牆線將建築、庭院以及屋頂連接起來。
To achieve the ideal version of our architectural language, we need a courtyard, where sunlight is allowed to pass through and rain to fall through, as the center of the building. The diagonal wall line serves to connect the frame of the building and the frame of the courtyard, as well as the roof.
建築的框架高於庭院，雨水就會從屋頂落在院子裡，像一道瀑布。屋面的自然形態呼應了整個結構體系，天花板與屋頂平行，這種建築語言應用於建築的三個主要部分，它們分別有著不同的功能。
With the frame of the building being higher than the frame of the courtyard, the rain will fall from the roof into the courtyard like a curtain of a waterfall. We complete the roof with valley rafters that naturally suit the structure. The ceiling is also parallel to the roof. We have applied this architectural language to appropriately serve different functions in the 3 main parts of the building.
建築設計：Octane建築設計
項目位置：泰國
項目類型：住宅
首席建築師：Kittichon phukiatkong / Thawin Harnboonseth / Photsawat apariman
項目面積：1300平方米
項目年份：2019年
照片攝影：Rungkit Charoenwat
製造商： AGC, American Standard, COTTO, Maenum group, TOA, Biowood, CASA
客戶：Nongyao & Somchai Nevilai
Architects: Octane architect & design
Location: Khet Sai Mai, Thailand
Category: Houses
Architect in Charge: Kittichon phukiatkong / Thawin Harnboonseth / Photsawat apariman
Area: 1300.0 m2
Project Year: 2019
Photographs: Rungkit Charoenwat
Manufacturers: AGC, American Standard, COTTO, Maenum group, TOA, Biowood, CASA ROCCA
Client: Nongyao & Somchai Nevilai
由專築網王沛儒，李韌編譯
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